Zero moves far more swiftly than her opponents and easily cleaves normal humans in two. The control scheme of two-button combos, jumping, and dodging is fairly standard, but you really get the sense that you’re controlling a powerful goddess. While Drakengard 3’s insane story will keep you entertained, its fast-paced combat will keep you on your toes. I get that the environments are largely meant to be a backdrop for action, but with so much imagination having gone into the game’s story and characters, it’s too bad that the world itself is so very bland. A snowy mountain filled with uninteresting rocks feels disappointingly similar to a washed-out forest packed with many copies of the same tree. Zero travels through several diverse realms ruled by her eccentric sisters, but all of them suffer from uninspired visual design. Unfortunately, the world itself isn’t nearly as interesting as the drama unfolding within it.
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If you become particularly invested, alternate endings make additional playthroughs worthwhile–just don’t expect any of them to be full of sunshine and puppies. It’s through the lens of Zero’s interactions with Mikhael that you begin to wonder if there’s a deeper reason than greed behind her murderous campaign, driving you to piece together what the hell is going on in this screwy medieval world. He humanizes Zero as her attitude toward him grows from annoyance into friendship. Zero’s dragon companion Mikhael is an innocent with a kind heart. One particular relationship adds gravitas to the story.
See also Heres What You Can Expect From the Next Generation of PlayStation VR Just Announced for PS5 Consoles The sheer grotesque absurdity of many of the game’s events adds to that black humor, drawing you into Drakengard 3’s narrative despite your better impulses. Quality voice work, particularly for the blunt Zero, the sadistic Dito, and the devious Cent, also helps make the cast darkly amusing instead of simply repelling. They might spend most of their time mocking others and discussing their sexual fetishes, but they do so with such gleeful abandon and strong comedic timing that it’s difficult not to chuckle. Nevertheless, their raunchy dialogue makes them entertaining to watch, sort of like a hypersexualized Seinfeld cast. They revel in their murderous activities and seem to think of nobody but themselves. Zero, her lineup of twisted sisters, and her party of psychotic and perverted disciples aren’t even remotely likeable people.
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Instead of protecting the world, you embark on a series of missions that take Zero on a bloody campaign, massacring anybody who gets in her way during her quest to execute sisters One through Five. They supposedly saved the world from chaotic warfare and protect it to this day, but that rosy history is skewered (literally–Zero runs a historian through) within the first few minutes of the game. You play as Zero, one of six numbered sister-goddesses, called Intoners, all of whom bear the power of song.
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The bizarrely compelling story is the main reason to play Drakengard 3, especially as it approaches medieval fantasy with dark comedy instead of straight-laced tropes. You’ll need to have a twisted sense of humor to enjoy it, but if you do, you’ll find a flawed but entertaining action RPG with a story unlike anything you’ve likely seen before. Drakengard 3 is a title that gleefully wallows in blood, deviance, and grotesquerie.
During your quest for blood, you’ll encounter oddities like an incontinent dragon, a woman who turns her worshippers into creepy dolls, and a disciple who enjoys measuring his man parts during the heat of battle. You play as a goddess–with, for whatever reason, a flower growing out of her eye–who is hell-bent on murdering her divine sisters. Drakengard 3 is one seriously messed-up game.
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